With his conscious memories wiped clean by head trauma, all that’s left is a man whose body has been honed for killing, but whose conscious mind now battles against that instinct, through some innate, unbroken goodness. He takes everything except the gun.Įmbedded deep in Bourne’s psyche is the drive for violence, drilled into him by Treadstone, a brutal CIA enhancement program. Between the two sequences, he even retraces his steps to a safety deposit box filled with money, passports, and a firearm. Notably, both these initial scenes in Identity end with a gun in Bourne’s hand, and he disposes of it each time. In either case, his instincts take over, and his muscle memory carries him through each sequence with brutal efficiency.Ī handful of these disarming scenes, where Bourne breaks into a brief fury of martial arts to diffuse the situation, are littered throughout the trilogy. The “fight” lasts a mere eight seconds, about as long as the scene at the American embassy 10 minutes later, when he similarly incapacitates a group of security guards. Bourne, who doesn’t even know his own name at this point, is surprised when he’s able to respond to the cops in fluent German, and he exhibits just as much fluency (and just as much surprise) when he disarms them instantaneously. The template for the Bourne series’ action is set 11 minutes into The Bourne Identity, when a pair of Zürich policemen approach amnesiac agent Jason Bourne (Matt Damon). But more importantly, the aesthetic is perfectly in tune with the series’ themes and its character-centric drama - which isn’t often true when other movies copy the style. From a technical standpoint, each Bourne sequence is more precise than the imitation versions, down to the vital difference of a handful of frames. #Youtube jason bourne soundtrack series#But its deployment in the Bourne series stands apart from the way its successors use it. #Youtube jason bourne soundtrack movie#Moviegoers might argue that it poisoned the American action well, making too many movie fights incomprehensible and even nauseating. The dizzying, choppy Bourne fight style has its pros and cons. The Taken films even applied it to Liam Neeson jumping a fence. Still, the impressionistic fight aesthetic spawned so many imitators that it became Hollywood’s lingua franca across the action spectrum, employed by everything from the macho ’80s throwback Expendables series to Disney superhero fare like Captain America: Civil War. Each member of the cast excels in their roles and I give them credit for such believable performances.The Bourne franchise is known for quick-cut, shaky-cam action, but there’s less than six minutes of hand-to-hand combat across Doug Liman’s 2002 series-launcher The Bourne Identity, and Paul Greengrass’ sequels, 2004’s The Bourne Supremacy and 2007’s The Bourne Ultimatum. There are also many new characters such as Alicia Vikander who plays Heather Lee. The acting in this film is legendary, with returning cast from the previous Bourne films like Matt Damon and Julie Stiles. Unfortunately, this is the case here and since this film is compiled of lots of shaky and rapid shots, it makes you feel slightly dizzy. Although it helps put you "inside" the fight, it makes it very difficult to understand what is going on when it's used extensively. One major problem with the action scenes is that the cinematography is very shaky and rapid. Each action scene is epic and clearly shows a lot of work went in to make it perfect. The action scenes in this film are wonderful with car chases, jumping off buildings and fights in parking lots. However, the soundtrack is always intense, including several scenes which contain dialogue and would be great without any of this intrusive music. Throughout the film there is a very intense soundtrack that adds tension to the dramatic scenes. CIA Director Dewey and Heather Lee Courtesy of Universal Studios
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